Who are you and what have you done with the Real Christopher Ruz?
I’m Ruz, an Aussie author, teacher, and one-time stuntman. The original, more handsome Ruz is buried in the potato patch. Don’t cry for him. He died like a punk.
Harry Potter world: what house are you? And what animal would be your patronus?
Harry Potter houses are an artificial mechanism used to divide students ideologically and turn them against one another so they won’t band together and overthrow their oppressive wizard and witch overlords!
Are you a Think Everything Through Before Acting person or a Great Idea Let’s Try It! Person?
I always dive in without thinking. Who has time to think? Huh. Maybe I’m not a Ravenclaw at all.
What got you into writing?
The Lord of the Rings BBC radioplay adaptation. My Dad used to play it for me on long car rides, and I fell in love with those mysterious worlds and grand battles of good versus evil. Some of my first stories were LOTR fanfiction when I was about six. They weren’t real good.
Why do you write now?
I’ve got too many worlds in my head! There’s something special about being able to share them with the folk around me, a feeling of sharing the greatest adventure of your life. I can’t get that feeling anywhere else. So, I put these worlds and characters and conflicts on paper, and hope everyone else enjoys them as much as me.
What’s a book you remember reading as a teenager and absolutely loving?
IT. I borrowed it from the school library when I was absolutely not supposed to, and read it late at night when my parents wouldn’t catch me. It was dark and dangerous like no other book I’d read before, and it sunk its hooks in deep. I reread it every few years, and it’s still special to me.
What are you reading right now?
Erikson’s Malazan Book of the Fallen, Monstress by Marjorie Liu, and The Trespassers by Meg Mundell.
Can you name some formative books for your own writing?
Gene Wolfe’s Book of the New Sun changed the way I saw storytelling. Elements of it seep into literally everything I create.
Stephen King’s IT, of course, seeded everything I write with malevolence. Finally, Piers Anthony’s Xanth series. Looking back on Xanth now, it’s weirdly misogynist and creepy and not something I’d recommend for young teens (or anyone). But for teen-me, Xanth showed me how a world could be ridiculous and compelling at the same time. It taught me to take risks.
Creative writing in primary school, what did you write about? Can you remember any stories?
SO MANY STORIES! They were mostly inspired by the videogames I played at the time, so I wrote a lot of Wolfenstein fanfic. My mother was horrified (and fair enough, too). But I was also already dipping my toes into horror, with a lot of Goosebumps inspired stories of children my age being stalked by werewolves and bog-beasts.
What do you do/where do you go for inspiration?
Current events plus personal drama plus horrifying imagery generally takes me somewhere fun. For example, my current WIP is about a North Korea-esque hermit state, the gigantic floating corpse of a dead god, and destroying incels. I have more ideas in the bank than I can deal with right now.
Do you believe in a divine muse?
I don’t. My muse is sitting down in front of Scrivener and doing the work. I believe the ideas and the energy comes when you put yourself in a professional mindset.
What does your physical writing space look like?
My office is quiet and cold. My monitor is haloed with post-it notes covered in new ideas, potential plot twists, and character sketches. My desk is a travesty of old teacups and unfiled paperwork.
Open up your skeleton closet: can you tell me about an abandoned project of yours which seemed awesome when you started but you’ll likely never return to?
This could apply to any of my first four novels. I have a particular attachment to Alpha Slip, which was a near future cyberpunk psychological thriller about a psychiatrist diving through (and being trapped in) layers of a POW’s memories in order to extract key information on military crimes. I finished the final draft two days before the trailer for Inception dropped, and I was so disheartened that I never opened the doc again.
Star Wars or Star Trek?
It used to be Trek. Then it became Wars. Now I’m firmly on the fence. Fingers crossed for Picard!
Hogwarts or Narnia?
They’re both nightmares of child endangerment! Can I choose Destin instead?
Ideal holiday, price and time no concern, where would you go?
Japan. A nice town somewhere in the south, where the wind is sweet and the evenings are quiet, and I could eat well and write all day and pat random cats.
Favourite song to sing at Karaoke?
Shatner’s cover of Common People.
Favourite song to sing in the shower when no one else is home?
Rammstein’s Auslander. The tiles amplify my naturally weak baritone.
The weirdest hobby you have, other than writing?
I’m an artist in my spare time, mostly focusing on life studies and portraits. I don’t know if that counts as weird, though. I also paint miniatures, even though I don’t play any tabletop games that actually use them. I just like the zen calm that comes with all those tiny details.
My bio: Teacher, designer, and one-time stuntman (don’t ask), Christopher Ruz is a rabid fan of fantasy, science fiction, body horror and crime thrillers. Born in Hong Kong to well-travelled parents, Ruz was fortunate enough to live in South Africa and Vienna before returning to live and work in Australia. His love of dark fiction began when a worn copy of Pet Semetary caught his eye at a local flea market. He bought it with his pocket money and hid it under his bed so his parents wouldn’t see. He was eight years old, and has been a little odd ever since.
Ruz can also do twelve chinups. Neat!
His best known works are The Ragged Blade (Parvus Press, 2019) and his ongoing horror series Rust. Meanwhile, he publishes the Olesia Anderson series of pulpy spy novellas under the pseudonym D.D. Marks. He has sold stories to Andromeda Spaceways and Apollo’s Daughters, has beaten the grueling Immerse or Die challenge twice, and was a finalist in the 2017 Aurealis Awards. When not writing, Ruz teaches art and design at a west-Melbourne high school and works at boardgame conventions across Australia.