This is the latest in a series of Guest Posts where I’ve posed some deeply serious questions to some awesome writers who probably deserve better. My questions are in bold.
[This is in two parts because Lee answered everything in the long damn quiz, and she did it beautifully. ]
Who are you and what have you done with the Real Lee Murray?
The real Lee Murray is currently serving a 25-year prison term for masterminding a £53-million armed raid. I’m the other Lee Murray, the writer. I’m also a short, half-Chinese, 3rd generation New Zealander, a mother, wife, dog owner, scientist, tea drinker, anxiety-sufferer and former marathon runner. I believe in reading, vaccination, family holidays, cheesecake, tolerance, and kindness. Especially kindness. And right now, looking at this 30-question interview, I should probably add terrified to that list.
If you had to describe yourself in terms of a soft drink, which would you be and why?
A Diet Coke. Because my writing is dark and sugarless.
Harry Potter world: what house are you? And what animal would be your patronus?
Ravenclaw all the way! Apparently, like Cho Chang, my patronus is a swan—I took a test. The Results: You may be quiet, but that doesn’t mean you’re antisocial. Constantly surrounded by a group of friends, you can always count on them to act as a support system in times of emotional distress. Keep your head up and enjoy the simple pleasures in life. Do your best not to dwell on the past: the future is bright. [Fingers crossed]
Are you a Think Everything Through Before Acting person or a Great Idea Let’s Try It! Person?
The latter mostly, although not when it comes to moving house. On moving day, I have all the boxes packed and ready to go before the movers arrive.
What got you into writing?
I don’t really know. I’ve always been a scribbler, a prehistoric blogger before they were a thing. Encouraged firstly by my dad, and later by various teachers and mentors, it was always on my mind to write, but it wasn’t until my children were small, and I was at home during their naptimes, that I made a conscious effort to ‘become’ a writer. Completing some masters papers in creative writing at Northtec along with a couple of unfinished novels which had been sitting in boxes. Then, a decade ago, on the advice of a colleague, I started to call myself a writer, and even wrote ‘writer’ against my occupation on my passport, which made it more real somehow.
Why do you write now?
Right now because I have two book contracts to fulfil!
The real reason is because I’m a full-time writer and editor. It’s my job, albeit a poorly paid one. I don’t write simply because I love it. Yes, I do love it, but it annoys me when people say, ‘writers write because they love it’, or ‘we write because we have to’. While those statements are true, they also imply that loving our work should be sufficient recompense, that it makes up for earning pin money. If your lawyer enjoys his work, is it okay not to pay him? What if your plumber whistles while he fixes your sink? Does anyone ask lawyers and plumbers why they do the work they do? [Whoops! She tumbles from the soapbox.]
Reading: What’s the earliest story you can remember reading and loving?
The earliest story? Seven Little Postmen. Sam the Fireman. Angelo the Naughty One. Ferdinand the Bull. Grimm’s Fairy tales. The story from my childhood which resonates for me the most is Horton Hatches the Egg. So many fond memories of bedtimes when Dad would read this to my brother and me. He was so great at doing the voices—I can still hear them in my head, and it’s important because he suffers from Alzheimer’s and is non-verbal now. We used to chime in when he read the mantra: “I meant what I said and I said what I meant, and an elephant’s faithful, 100%”. It’s a saying that sticks with you. And quite apart from the fact that it can be handy to know something about percentages when your royalty cheque comes in, it’s a mantra I’ve tried to live by.
What’s a book you remember reading as a teenager and absolutely loving?
Hmm. My middle grade and early teen years were a bit of a bonanza for classic texts. Here is a selected, and highly-abbreviated, bibliography: The complete CS Lewis series, Peter Pan, Call of the Wild, The Wind in the Willows, Watership Down, The Hobbit, The Owl Service, Children of the Poor by John A Lee, A Christmas Carol, Oliver Twist, Lord of the Rings (12) The Day of the Triffids, The Chrysalids, To Kill a Mockingbird, The Mother by Pearl Buck (13), The Diary of Anne Frank….The Illiad. Our family used to go to the library every Friday evening and each of us kids (there were four of us) were allowed to bring home twenty books. Twenty! I read everything I could get my hands on, loved everything.
What are you reading right now?
[opens kindle and checks the titles still in progress]. A non-fiction title on poetry, The Witchhunt by Lori R Lopez (an author preview copy), The Strangers by Michaelbrent Collings, Dracula’s Revenge by Charles R, Rutledge, Fountain Dead by Theresa Braun. On audiobook: Alter by Jeremy Robinson. I also have some awards reading still to do.
What’s a book that you have on your shelf that you think might surprise people?
Extremely Embarrassing Dad Jokes: Because Dads don’t know when to stop, by Ian Allen. Surprise! It was my husband’s Christmas present and somehow it has ended up in the office bookshelf.
What book would you like everyone to read?
Preferably one of mine. 😊 Or, failing that, a book by one of our fabulously talented New Zealand speculative fiction writers. Suburban Book of the Dead by Jamie Sands is an excellent read, for example. Read New Zealand works, books written by women, by LGBTQ writers… read widely, read often, read any book that you like, just please, please, if you can, leave a review because it makes a huge difference to the author.
Are you a stop reading at the end of the chapter, mid chapter, or just whenever reader?
Stop reading? What is this thing?
Can you name some formative books for your own writing?
I’m always striving to learn new things. Right now, I’m dipping into non-fiction ebooks on screenwriting, on poetry, and on creating suspense. I’m particularly enjoying It’s Alive: Bringing Your Nightmares to Life (Joe Mynhardt and Eugene Johnson eds), a collection of essays and articles on writing from working writers, many of them my colleagues from the horror community.
How do you organise your personal library? (alphabetical, dewey decimal, what’s your system?)
I squeeze them into the bookcase wherever I can find a space big enough. To be honest, I was forced to cull a few books when we moved a couple of years ago. It was such a painful experience that I am trying to be more discerning about purchasing print books. Now, my rule is to only purchase books with an author’s signature. Oh look over there…. a bookshop!
Tune in soon for the second half of the interview…
Lee Murray is a multi-award-winning writer and editor of science fiction, fantasy and horror (Sir Julius Vogel, Australian Shadows). Her works include the Taine McKenna adventure series, and supernatural crime-noir series The Path of Ra (co-written with Dan Rabarts). She is also the editor of ten dark fiction anthologies, the latest being Hellhole: An Anthology of Subterranean Terror (Adrenalin Press). Lee lives with her family in New Zealand where she conjures up stories from her office overlooking a cow paddock.