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Guest post – Smuggling Science and Climate Change with Octavia Cade

Climate change is an unexpectedly easy thing to look away from. We’re in the midst of it, and the IPCC gives us limited time to make drastic changes that would stave off enormous global changes to our environment, and we are doing not much of anything, really. Sure, there are marches and protests and all sorts, but when something’s this big, it’s hard to encompass.

It’s not made any easier when the data we have is compromised. States quashing and meddling, burying science so that we’re limited in what we know. The Australian government, pressuring the UN to keep impacts on the Great Barrier Reef out of a major climate report, so as not to scare off the tourists. The American government, getting researchers to remove climate change language from their grant proposals, or preventing scientists from speaking at conferences. Who only knows what else is going on around the world, or what our own government is doing… and that’s not even taking into account the information oil companies have been sitting on for decades.

No surprise, then, that there are groups of scientists around the world preserving climate data across borders so that the anti-science hacks of various persuasions can’t get their mitts on it. When I started reading those news articles, I thought: there’s a fantastic story in this! And there was. It started out as a short story, which appeared a couple of years back in Clarkesworld. That story, “The Stone Wētā,” which you can read for free at the link, became the eventual first chapter of my novel of the same name, out April 22nd – fittingly, Earth Day.

The Stone Wētā is a near-future sci-fi thriller, which documents the efforts of a number of scientists to smuggle climate data across borders, and preserve it from the influence of hostile actors. But when this cold war of data preservation turns bloody – and then explosive – this underground network of scientists, all working in isolation, must decide how much they are willing to risk for the truth. For themselves, their colleagues, and their future.    

I’m a science communicator by training, and raising the issue of how we treat climate data – how we treat scientific data in general – is something that’s really important to me. It should be important to all of us. After all, if we can’t trust the information we have, how are we supposed to make decisions that will give us the best possible future? If The Stone Wētā sparks debate on some of these issues, I’ll be really happy. 

Anyway, it’s published by the Wellington-based Paper Road Press. Please take a look!

Octavia Cade is a New Zealand writer with a PhD in science communication. She’s sold nearly 50 stories to markets such as ClarkesworldAsimov’s, and Shimmer. She attended Clarion West 2016, and is currently the writer-in-residence at Square Edge/Massey University.

Writers, writing

Guest post: Mariëlle S. Smith on her new release

Thanks to Mariëlle for coming onto my blog to talk about her new release. I was lucky enough to get an advanced reader’s copy and it’s amazing, a great book – lots of interesting prompts and self-reflection. Highly recommend this one!

What is the 52 Weeks of Writing Author Journal and Planner about? 

52 Weeks of Writing is a journal and planner for writers that will help you plan, track, reflect on, and check in with your progress and the goals you’ve set for yourself. Every week, it offers questions, writing prompts, and exercises that are designed to help you dig deep and find out the truths about why you aren’t the writer you want to be yet. 

How is the 52 Weeks of Writing Author Journal and Planner different from everything else out there? 

What’s different is that it doesn’t focus on a specific goal, such as becoming better at marketing your books, or planning your social media channels for the year ahead. 52 Weeks of Writing is all about your personal wishes, needs, and goals. It provides a safe space where you can figure out what it is you truly want (once you stop looking at what everyone else is doing), and how to get there considering the realities of your day-to-day life. We all have different aims and desires and none of us carry exactly the same responsibilities. This author journal and planner will help you focus on your situation and on what you want to achieve in this lifetime. 

Why did you create the 52 Weeks of Writing Author Journal and Planner

52 Weeks of Writing reflects everything I’ve learned over the past several years as a writing coach, editor, and writer. As a writing coach, I know that coaches don’t come cheap and that not everyone has the means to hire one. Of course, no book can stand-in for a human coach, but this author journal and planner is my attempt to bridge the gap between hiring a writing coach and trying to figure it out all on your own the best I can. 

Who will benefit from the 52 Weeks of Writing Author Journal and Planner?

Writers who are fed up with themselves and are ready to figure out once and for all why they keep getting in their own way. 

Get the ebook

Get the paperback

Are you ready to become the writer you were always meant to be? 
52 Weeks of Writing will get you cracking by making you plan, track, reflect on, and check in with your progress and goals an entire year long. 
52 Weeks of Writing will help you dig deep by offering questions and writing prompts designed to unravel whatever truths about your writing you’re ready for. 
52 Weeks of Writing will keep you inspired by delivering a thought-provoking writing quote every week. 

  • Do you struggle with setting goals that reflect your daily reality? 
  • Do you want to practise breaking goals down into manageable chunks? 
  • Would you like more insight into your writing habit(s) and figure out why you keep getting in your own way? 
  • And do you want to create a sustainable writing practise that honours your needs and desires as a writer? 

Then the 52 Weeks of Writing: Author Journal and Planner is for you. 

52 Weeks of Writing brings together every lesson Mariëlle S. Smith has learned as a writing coach and writer. Wary as she is of comparisonitis and unhealthy competition, this author journal and planner was designed to help writers develop and fine-tune a practice that works for them. 

If you’re ready to get out of your own way and become the writer you’re meant to be, pick up your copy of 52 Weeks of Writing today. 

About

Mariëlle S. Smith is a coach for writers and other creatives, an editor, (ghost) writer, and custom retreat organiser. Born in the Netherlands and raised by her Dutch mother and Scottish dad, she moved to the island of Cyprus in February 2019 to focus on her coaching, editing, and writing practice. 

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Writers, writing

Guest writers series: an interview with Christopher Ruz

Who are you and what have you done with the Real Christopher Ruz?

I’m Ruz, an Aussie author, teacher, and one-time stuntman. The original, more handsome Ruz is buried in the potato patch. Don’t cry for him. He died like a punk.

Harry Potter world: what house are you? And what animal would be your patronus?
Harry Potter houses are an artificial mechanism used to divide students ideologically and turn them against one another so they won’t band together and overthrow their oppressive wizard and witch overlords!

Also, Ravenclaw.

Are you a Think Everything Through Before Acting person or a Great Idea Let’s Try It! Person?
I always dive in without thinking. Who has time to think? Huh. Maybe I’m not a Ravenclaw at all.

What got you into writing?

The Lord of the Rings BBC radioplay adaptation. My Dad used to play it for me on long car rides, and I fell in love with those mysterious worlds and grand battles of good versus evil. Some of my first stories were LOTR fanfiction when I was about six. They weren’t real good.

Why do you write now?
I’ve got too many worlds in my head! There’s something special about being able to share them with the folk around me, a feeling of sharing the greatest adventure of your life. I can’t get that feeling anywhere else. So, I put these worlds and characters and conflicts on paper, and hope everyone else enjoys them as much as me.

What’s a book you remember reading as a teenager and absolutely loving?

IT. I borrowed it from the school library when I was absolutely not supposed to, and read it late at night when my parents wouldn’t catch me. It was dark and dangerous like no other book I’d read before, and it sunk its hooks in deep. I reread it every few years, and it’s still special to me.

What are you reading right now?

Erikson’s Malazan Book of the Fallen, Monstress by Marjorie Liu, and The Trespassers by Meg Mundell.

Can you name some formative books for your own writing?
Gene Wolfe’s Book of the New Sun changed the way I saw storytelling. Elements of it seep into literally everything I create.

Stephen King’s IT, of course, seeded everything I write with malevolence. Finally, Piers Anthony’s Xanth series. Looking back on Xanth now, it’s weirdly misogynist and creepy and not something I’d recommend for young teens (or anyone). But for teen-me, Xanth showed me how a world could be ridiculous and compelling at the same time. It taught me to take risks.

Creative writing in primary school, what did you write about? Can you remember any stories?

SO MANY STORIES! They were mostly inspired by the videogames I played at the time, so I wrote a lot of Wolfenstein fanfic. My mother was horrified (and fair enough, too). But I was also already dipping my toes into horror, with a lot of Goosebumps inspired stories of children my age being stalked by werewolves and bog-beasts.

What do you do/where do you go for inspiration?

Current events plus personal drama plus horrifying imagery generally takes me somewhere fun. For example, my current WIP is about a North Korea-esque hermit state, the gigantic floating corpse of a dead god, and destroying incels. I have more ideas in the bank than I can deal with right now.

Do you believe in a divine muse?
I don’t. My muse is sitting down in front of Scrivener and doing the work. I believe the ideas and the energy comes when you put yourself in a professional mindset.

What does your physical writing space look like?

My office is quiet and cold. My monitor is haloed with post-it notes covered in new ideas, potential plot twists, and character sketches. My desk is a travesty of old teacups and unfiled paperwork.

Open up your skeleton closet: can you tell me about an abandoned project of yours which seemed awesome when you started but you’ll likely never return to?

This could apply to any of my first four novels. I have a particular attachment to Alpha Slip, which was a near future cyberpunk psychological thriller about a psychiatrist diving through (and being trapped in) layers of a POW’s memories in order to extract key information on military crimes. I finished the final draft two days before the trailer for Inception dropped, and I was so disheartened that I never opened the doc again.

Favourites:

Star Wars or Star Trek?

It used to be Trek. Then it became Wars. Now I’m firmly on the fence. Fingers crossed for Picard!

Hogwarts or Narnia?

They’re both nightmares of child endangerment! Can I choose Destin instead?

Ideal holiday, price and time no concern, where would you go?

Japan. A nice town somewhere in the south, where the wind is sweet and the evenings are quiet, and I could eat well and write all day and pat random cats.

Favourite song to sing at Karaoke?

Shatner’s cover of Common People.

Favourite song to sing in the shower when no one else is home?

Rammstein’s Auslander. The tiles amplify my naturally weak baritone.

The weirdest hobby you have, other than writing?

I’m an artist in my spare time, mostly focusing on life studies and portraits. I don’t know if that counts as weird, though. I also paint miniatures, even though I don’t play any tabletop games that actually use them. I just like the zen calm that comes with all those tiny details.


My bio:  Teacher, designer, and one-time stuntman (don’t ask), Christopher Ruz is a rabid fan of fantasy, science fiction, body horror and crime thrillers. Born in Hong Kong to well-travelled parents, Ruz was fortunate enough to live in South Africa and Vienna before returning to live and work in Australia. His love of dark fiction began when a worn copy of Pet Semetary caught his eye at a local flea market. He bought it with his pocket money and hid it under his bed so his parents wouldn’t see. He was eight years old, and has been a little odd ever since.

Ruz

Ruz can also do twelve chinups. Neat!

His best known works are The Ragged Blade (Parvus Press, 2019) and his ongoing horror series Rust. Meanwhile, he publishes the Olesia Anderson series of pulpy spy novellas under the pseudonym D.D. Marks. He has sold stories to Andromeda Spaceways and Apollo’s Daughters, has beaten the grueling Immerse or Die challenge twice, and was a finalist in the 2017 Aurealis Awards. When not writing, Ruz teaches art and design at a west-Melbourne high school and works at boardgame conventions across Australia.

Ruz’s website

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Guest writers series: an interview with Heather MacLee

It’s not Summer any more in my hemisphere, but I understand it is in other one? At any rate, I’ve enjoyed hosting authors here enough that I’m just going to keep doing it. I hope you like being introduced to new writers and their works 🙂 Please welcome Heather…

The name’s Heather MacLee, I was born and raised in Glasgow, and I’ve been living in Cyprus for almost a year now! I write LGTBQIA* sexy romance, and my debut novella Too Good To Be True? just came out.

If you had to describe yourself in terms of a soft drink, which would you be and why?

Soda water and lime, because I’m bubbly with a wee bit of a tang.

Harry Potter world: what house are you? And what animal would be your patronus?

Ravenclaw! And an otter.

Are you a Think Everything Through Before Acting person or a Great Idea Let’s Try It! Person?

The moving to Cyprus was definitely the latter! It very much depends on the situation, but I do tend towards ‘Fuck it, let’s do this!’

What got you into writing?

I must have been about seven or eight years old when my parents were called in by my teacher because I kept interrupting story time by suggesting alternative scenarios. They got me a notebook and made me promise to write down any thoughts that came up instead of suggesting them out loud. I guess the rest is history?

Why do you write now?

It’s a compulsion. I tried to not write for a long time because my ‘wild imagination’ wasn’t appreciated by my secondary school teachers, but it drained me. At university, I finally caved and took a creative writing course. I’ve been writing again ever since. It keeps me sane.

What’s the earliest story you can remember reading and loving?

The Animals of Farthing Wood by Colin Dann

What’s a book you remember reading as a teenager and absolutely loving?

Our local library was in the same street as my parental home, so there have been more books than I can possibly remember. It has to be Harry Potter, though. None of the books grabbed me like that series did.

What are you reading right now?

I’m about to start reading The Sky is Everywhere, by Jandy Nelson. Her I’ll Give You the Sun is one of the best books I’ve ever read.

What’s a book that you have on your shelf that you think might surprise people?

The Glasgow Coma Scale by Neil D. A. Stewart. It’s not a genre I usually read, but I read it just after moving to Cyprus, when I felt homesick.

What book would you like everyone to read?

I’ll Give You the Sun by Jandy Nelson.

Are you a stop reading at the end of the chapter, mid chapter, or just whenever reader?

If the book is good enough, I’ll stop when I collapse. That could be anywhere in the book.

Can you name some formative books for your own writing?

Books not so much, but the idea for the world I’m building right now comes from The L-Word. In my world, it’s a local bookshop that connects all the characters, whose love lives are central in the different trilogies I’m planning to write, instead of a bar, but that whole ‘everyone is connected’ thing, I definitely got that from the TV series.

How do you organise your personal library?

I gave most of my books away when I moved (I know!) and I’m still organising my living space, so ‘pure chaos’ would be the best description of my current system. I usually go by genre though 😉

Writing: What do you do/where do you go for inspiration?

Anywhere on this island works for me, although I love living close to the beach (I can see the sea from my window). Nature always works for me, and coffee shops, where I can shamelessly people watch.

Is there anything you’ve seen passed around as writing advice that you really disagree with?

Too Good to be True cover

Write what you know. Ha, no, it’s called ‘imagination’ for a reason. Sure, I believe stories do reflect the author at least a little bit, but most authors have too boring a life to just write what they know. We spend vast amounts of our time behind our computers!

Do you believe in a divine muse, and if so, what’s yours like?

Of course, I do! Mine is a playful imp who makes sure I don’t take myself too seriously when writing.

What does your physical writing space look like?

One of the first things I did when I found my current abode was organise a writing space on my balcony. It’s partially covered, so no direct sunlight hits me or my screen when I stay in that corner, and there tends to be a lovely breeze.

Open up your skeleton closet: can you tell me about an abandoned project of yours which seemed awesome when you started but you’ll likely never return to?

When I first visited Cyprus, I started a YA novel that had a complicated triangle relationship in it involving a pair of twins, a boy and a girl. I wanted to write something that wouldn’t condemn the bisexual main character, who falls in love with both siblings, but at one point the characters wanted to head in a different direction and I became afraid to perpetuate harmful clichés. I was on the soapbox Stephen King warns against, and the only way down was to give up on the project.

Any advice for anyone looking to start writing?

Just do it, but don’t tell anyone you don’t fully trust. It’s a vulnerable process, the becoming-writer one.

Favourites: Ideal holiday, price and time no concern, where would you go?

Anywhere that has unapologetic nature.  

If you could plan perfect meals for a day, what would each be, and would you snack?

I would have apple pie porridge in the morning, a lunch with freshly made hummus, grilled veggies, and Greek pitta, and cauliflower sabzi for dinner. I would snack fruit and healthy veggies throughout the day. Needless to say, this isn’t even close to what my daily diet is like…

Imagine you won one of those ‘grab a cart and spend five mins in a store’ competitions. Which store would you want to win it for, and what goods would you be shoving in the cart first?

A stationery shop, obviously, and I’d be stuffing my cart with notebooks, fountain pens, different ink colours. If I have time left, I’d go for the funny bookmarks and whatever pens and pencils I can get my hands on. You can never have enough writing material.

Imagine you’ve had your best ever year, what photos would you have from that year?

While they do registered partnerships here in Cyprus for same-sex couples, getting married is still a no-go, so my best year would include not just pictures of my own beach wedding, but also those of our friends’ weddings.

Favourite song to sing at Karaoke?

What’s Up by 4 Non Blondes.

Favourite song to sing in the shower when no one else is home?

From Eden by Hozier

What’s your favourite quote?

‘For what it’s worth… it’s never too late, or in my case too early, to be whoever you want to be. There’s no time limit. Start whenever you want. You can change or stay the same. There are no rules to this thing. We can make the best or the worst of it. I hope you make the best of it. I hope you see things that startle you. I hope you feel things you’ve never felt before. I hope you meet people who have a different point of view. I hope you live a life you’re proud of, and if you’re not, I hope you have the courage to start over again.’ F. Scott Fitzgerald
__

Heather MacLee was born and raised in Glasgow, although she has strong ties to the Highlands. After falling in love with the gorgeous island of Cyprus years ago, she finally took the plunge and moved there in the summer of 2018.

Heather writes LGBTQIA* sexy romance and her debut novella, Too Good to Be True?, is out now. Set in Cyprus, it’s the first novella in her Wild Violet series, a world Heather created around the fictional book shop Wild Violet, or Άγρια Βιολέτα in Greek.

Find Heather online:

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Get a copy of Too Good to Be True? here

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The All About YA Podcast

I’m lucky enough to have been invited to sponsor the All About YA Podcast episode two. In this podcast the brilliant authors Mariëlle and Ashley, talk about writing for the Young Adult market and reading YA books too.

They’re just starting out, but they really know their stuff. This episode is largely about the definition of Young Adult fic – is it a genre? is it a category? what are the common threads?

I really enjoyed the listen and I recommend you give them a listen 🙂

Watch on youtube

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