Writers, writing

Boosted productivity via Bullet journal genius

I’ve been using a bullet journal this year, and I’ve found it useful in a lot of ways. Specifically I’ve been loving tracking my word counts/pages edited for each day. This is an example month spread from May. I used to just have words across the whole page, but then I realised I wanted to have editing and learning and things accounted for as well.

So, here’s May with the central spindle date margin, editing etc on the left and wordcount on the right. The running total wordcount for the whole project is on the far right.

I usually try to focus on one project, but you can see I jumped around some (and did work on two projects in one day towards the end… ) I also had a full week of learning, but it gives you a general idea.

But then for the month of August, I tried this system from youtuber Garrett Robinson:

Suddenly my hours were focused. I was less likely to get distracted, or mooch around on other tabs on my laptop. I would be tempted to but just say to myself ‘no, this is my hour to do X’ and apparently that was all my brain needed to really knuckle down. So to speak.

Here’s my running totals for August. You can see that my daily word counts have shot up, I’ve been more focused on a single project, and my pages edited have increased as well. August 11th is, as far as I can tell, my most productive words day ever. It’s a heady feeling.

More than that, I wrote 25k words in one week. I think my previous record was a very exhausting 20k week which resulted in almost nothing the week after. With this system I was still energised, I wanted to keep writing, but I knew my editing on another project was my priority so I jumped into that instead.

This last weeked I travelled to Christchurch and went to the Romance Writers of New Zealand conference, so my word count’s been a bit all over the place. But I learned a lot and have a nice new list of actions for various projects, etc so. It’s all good.

I love this bullet journal tracker, it really really works for me, and I recommend anyone looking to up their productivity gives it a go, for one month at least. I’ll definitely be using it for September and churning out some serious words.

Writers, writing

Writing Process? Part four – the perspecacity

Okay, so let’s say you’ve read and applied the previous posts, you’ve started something and you had momentum for a while. But then something came up – maybe a cool new TV show was released and you’ve marathoned that for days. Or maybe you got sick or work got intense and you haven’t had the headspace to write.

It happens to everyone.

I find around the 8 – 10 thousand word mark I often trail off and think about a new, more exciting project I could be working on. I’ll can always come back to this one later, right?

How do you keep with the same thing?

Honestly? you just have to be super strict on yourself. There’s always going to be a time when you struggle to motivate. You have to find what motivates you. Here’s some ideas, but you have to find your own golden ticket…

  • Read through the plan for the book and remind yourself of the neat stuff to come
  • Write your back of the book blurb. Writing the blurb is so depressing and difficult I’d rather do almost anything but write it
  • Reconnect with your reason for writing – the most motivation I had was at the start of the year when I was in a job I actively disliked. I hated having to go into the office, and I wanted a way out – writing could be the way out, but I have to complete manuscripts for that to work
  • Daydream about your potential future readers, and how much they might love your story
  • Bribe yourself. I really want to play my new video game, but I have to get words down. Well, if I get X many words today, then I can take a break and play for half an hour. Then I can write more and ‘earn’ more time. Then if you get into the flow of writing, you can put the reward off a bit longer and earn bonus extra words. Brains are easy to trick sometimes!
  • Some sort of tracker or progress recorder, which has worked especially well for me lately (more on that soon)

It’s hard work.

You have to put the next words down or the thing will never get finished. But just think of the end point – if you get to the end of the manuscript then you will have finished a manuscript! and that’s pretty miraculous, really.

You just gotta want it and keep on wanting it as hard as you can. Then you do the work and keep on doing the work. Then one day you can type ‘the end’ and feel like the big goddamn hero that you are.

There’s no foolproof method here, it just comes down to understanding your own reasons for writing and what motivates you. If you want to write for money then of course you have to have completed manuscripts to publish. If you want to write to tell your story and share it with people – you have to have it finished to do that.

If you have a way to force yourself back into a WIP when you’re in that ‘fallen out of love’ stage please comment and let me know!

Uncategorized, writing

Writing process? Part three – the actual writing

I’ve written before about a daily writing habit, but I think there’s more to actually writing. And by actually writing I really mean writing enough of a first draft to complete a piece of work. So, here we go…

Part three: the actual writing

Honestly? Finishing a draft is the hard bit because it requires self discipline and saying no, and forcing yourself to be creative. I don’t have a tried and true method for making any of this easy, but here’s the basic tenets I stick to, that I’ve found helpful to remember in terms of writing a first draft.

Don’t edit as you write – it’s really easy to fall into a trap of perfecting things as you go. You can’t do this. Your job when writing a first draft is to get the first draft done.

Don’t judge – following on from point one, it’s really easy to write something and immediately think ‘oh no, that sucks, I’m terrible’. You can’t do that on your first draft, instead you have to stick to your plan and …

Just spew it out – write as much as you can as fast as you can manage. There’s lots of quotes around this ‘you can’t edit a blank page’ and ‘you have to write what you’re going to throw away’, that kind of thing.

Don’t over commit or stress yourself out – signing up to something like NaNoWriMo or giving yourself a really big daily word count to start up with, or even telling yourself you have to write every day is a quick way to burn yourself out. Don’t put too much pressure on yourself. Maybe you just give yourself five minutes a day, or a half hour, or aim for 500 words, whatever works. Don’t call yourself a failure if you don’t manage to stick to your initial goal. Just look at your goal and see if you need to make a change to it. Then forgive yourself and try again when you can.

If it’s boring, skip to the next bit – this is a hard one to realise when you’re in the woods of writing, but if you’re struggling with a scene, it could be because it’s boring. You can either skip this bit (often when it’s ‘and then character A got to place B’ you can safely skip it). If it’s a scene you need for plot reasons, then my favourite way to fix it is to ask what would make it fun? Don’t let a boring scene slow you down, nothing boring has to be included. Readers will find it boring if you do. Another thing you can ask yourself is…

What’s the worst that could happen? – conflict drives story and reveals character, so look for it in every scene. Then at the end of the story, you can ask ‘what’s the best that could happen?’ and make things brilliant for your babies… well, assuming you’re writing something where everyone survives and your leads get a happy ending. I’m writing romance at the moment and it may be influencing things.

You have permission to write whatever – I know this is kind of obvious, but I have definitely run up against an internal belief that I have to write something worthy or I’m wasting my time. Now, this is a stupid belief and it needs deconstructing.

First: what is worthy? I don’t know, but it sounds stuffy and elitist.

Second: Why the fuck shouldn’t you write just exactly what you want to write?

Third: Forget worthy. Channel your inner child, think about the coolest most fun thing you can imagine and tell a story about that. Worthy is a trap (and an excuse not to write).

So, there you have it. Those are the things I try and remember, and generally this has helped me.

Some other hacks if I’m having trouble getting going:

  • write on paper in a cafe or library
  • voice to text on whatever programme you have, and dictate your story
  • alternate writing on a new draft with another project – have both open in tabs on your laptop and switch between them when you get distracted
  • Pomodoro technique or writing ‘sprints’ of a certain time

Please comment and let me know if you have how to write hacks, everything works differently for different people, so you never know what might hit and what might miss.

Read the Writing process series
Part one – Planning
Part two – Characters

fiction, writing

Writing process? Part two – characters

Part two Characters, who are they and how do they happen?

Some of the time my characters appear fully fleshed out and raring to go, most of the others take a little breaking out.

The hardest part for me is always naming them though. Good reference lists for names are googling baby names websites, especially for meanings. Or searching for names on pinterest – a quick search for ‘male names for romance’ for example, will bring up some names. Baby name websites, a google for ‘names which mean…’ is also useful for meaningful names.

Once I have some names, I assign a character archetype to each one. This is kind of intuitive and kind of not. I start with a Hogwarts house sorting…

For example in Rival Princes, Nate is a Gryffindor with strong Hufflepuff tendencies, and Dash is a Ravenclaw who people read as a Slytherin. This gives me a broad intersection of personality types and a springboard to more information.

Dash and Nate
Dash and Nate

Then I think about the role the character has in a story – okay, so Nate’s a Gryff in a new job, and I know he’s a natural charmer, because Dash is a hard worker who has researched and planned and strived to get where he is. The natural conflict there is that Dash feels like Nate hasn’t ‘earned’ his stripes the same way Dash has. Which is a totally normal and relatable way to feel. What does this tell us about the characters? Dash is competitive and has a bit of a chip on his shoulder. Then I ask myself, what is a good contrast to that? What if Nate was kind of oblivious to all that? What would make you oblivious? Maybe Nate just believes the best of people all the time, he’s a genuine and kind person, and he assumes the same of others.

If you’re not into Harry Potter, you can also use Horoscopes or zodiac, Myers-Briggs style personality types, oracle cards, whatever works for you.

Then I look at those characters, recognise parts of myself in both and build on those as well.

Add in some character details which I can bring depth into the characters with, working in contrasts really makes this easy. Dash is a neat freak, so Nate doesn’t really care about mess. Dash eats a healthy, well thought through and locally sources diet, Nate gets a lot of takeaways. Dash has one friend, and everyone else finds him prickly, Nate is a charmer who makes friends quickly and easily.

From there I start writing and let the characters reveal themselves as they go. I keep a document open for notes and have little profiles for each of them I can refer back to.

For characters who are harder to nail down I’ve had luck with character questionnaires before. You can find these by Googling or searching in pinterest. There are a lot of them out there, but they all seem to have questions that I wouldn’t think of otherwise, and even if the stuff you discover never ends up on the page explicitly, it might inform something.

At a recent conference I attended a panel by Jan Goldie about faceblindness and how it informs her character creation. She had folders of information with all the physical and personal details of her characters recorded to refer back to. It was like police records for each character, but included things like what their sense of humour is and who they look up to. I aspire to this level of information, but I’m not there yet.

Also….there’s nothing wrong with borrowing from other characters. Maybe your lead is partly Mr Darcy and partly Clark Kent. Maybe you want to take a tablespoon of Veronica Mars and a half cup of Tahani Al-Jamil and blend them up in a big bowl of Lisa Simpson, I dunno. I’m just saying you have permission to use characters which aren’t totally unique. Don’t copy directly – that’s gross, and people will notice – but it’s okay to make homages with some aspects of your characters.

You don’t have to be a genius Zeus plucking fully formed and utterly original new gods and goddesses out of your brain.

So, those are some of the ways I come up with characters. I also like to mooch around online and find an actor or a model who matches the basic idea of how my character looks as a reference but your mileage may vary on that one.

The point of going deep with all this stuff on your characters before you start writing is that if you know them well, then you know how they’re going to react to things. You’re going to find it easier to write their interactions and responses. That’s gotta be a good thing, right?

Next time: getting the actual writing done.

Part one

fiction, writing

Writing process? Part one

Advice about writing? What is my process? Well, first it’s just write. Write as much as I can, when I can and make time for it.

The longer answer is a bit more complicated. Let’s see if I can answer over a couple of posts.

Part one: Planning plants?

I used to write pure ‘by the seat of my pants’ aka Pantser, and just let the story tell itself through me. It was all very Romantic Poets – the wind through the lute and me just the instrument to the divine muse.

I got several novels written that way, but when I gave them to publishers or various others to look over, there were big problems with them.

e.g. The plot ambled around. The B plot started half way through the book instead of near the start as a concurrent stream. The characters made choices which were bizarre.

Some of those manuscripts are salvagable with some hard work, but looking at myself and realising I wanted to write fast, get something out there and hopefully make a little money, I knew I there had to be a better way.

So, in August and September last year I changed it up.

I read this article about increasing daily word count to 10,000 words.

Now, I’m generally enthusiastic about my work, and I can sort of find time most of the time, but planning was where I fell down. Like the Romantic poets I mentioned above, I didn’t believe in it. I thought I was above it.

Well, that’s just pretentious nonsense, isn’t it? You can’t sit around and hope a divine muse will pop into your house and dictate a book to you. You have to do the mahi and make it happen. And that meant planning.

There’s a lot of great books out there on planning* and I’m sorry but I haven’t read a single one. I had a fire under my butt and I wanted to get started immediately. So I went to planning articles and beat sheets.

Beat sheets are wonderful. Beat sheets break down the story beats into acts and important turning points, and there’s all these wonderful genre specific ones out there, too!

I’m a big fan of Jami Gold’s worksheets. She has put a ton of work into breaking down different genre and explaining each beat in a succint way.

So, I grab the beat sheet for the kind of book I’m writing and then brainstorm some things about the story.

Who are the characters? (I’ll do a post on my character notes, because I find them hilarious). Name the characters, what are their relationships and what are they most afraid of? Then I start mapping out the novel scene by scene using the beat sheet.

I don’t map the scene out exhaustively, I suppose I’m a little afraid of feeling like it’s done already, and losing the impetus to write it. So I give myself generic description. Something like:

Intro character A = house routine with daughter M – visit Important place – meet character B there. Show A’s need for love, and a way out of his lonely routine

Or

Character A is in the backyard , is startled by figure – heavy on atmosphere and description, then startle awake.

You can see I don’t give myself too much to go on, just enough to get the scene in my head so I can write it fully. Also reminding myself to write atmosphere is important or I’ll rely on dialogue too much. This makes me a planster – a planner who also writes by the seat of my pants.

I’d love to show you a picture example of one of my plot plans but it’s all spoilers for unpublished books… maybe someday.

I write this all longhand and leave lines in between each scene for extra notes. Characters can surprise you, they can move the story forward or change their minds when you didn’t expect it.

I’ve also found that as I write I might see a need for another scene to expand on something, so I give myself room for that as well.

Then, plan done, I just start writing those scenes. It really does save time, and it lets me see the shape of the story in advance. It ensures my B plot is present and interconnecting with the A plot, and it means when I’m focused I can just tear through words.

I don’t believe in divine wind from Heaven any more. I believe in working hard as often as I can, instead and tools like a beat sheet have really helped me with that.

*Romancing the Beat and Save the Cat! seem to be the two most recommended, and I have every intention of reading them… some day…

fiction, writing

Romance, self publishing and pen names

I’m doing something exciting – I’m publishing another book. But I’m doing it under a pen name.

Why am I putting it out under a pen name? Well, I’ve been doing a lot of research online on marketing and self publishing. The accepted knowledge is that you need a different pen name for each genre you publish, a lot of self publishing gurus preach this. This way my Young Adult readers won’t get confused expecting another YA supernatural action thriller, and my romance readers won’t pick up Suburban Book of the Dead expecting it to be a romance.

It’s also security of sorts – if people hate this book and it gets horrible reviews, then it won’t affect my “real” name.

This pen name (Jaxon Knight) will be publishing sweet, queer romances, starting with my themepark romances.

Sweet means no cheating, no dark stuff, no sex scenes and not that much swearing – there’s drama, but it’s not life and death drama. For fanfic readers, the term ‘fluff’ is a good analogue. It’s cute and heart warming. Romances require either a Happy Ever After or a Happily For Now. You have to have the main couple kiss and commit to each other at the end of the book.

Here’s the blurb:

There are three golden rules for new recruits at Fairyland Theme Park:

1. No breaking character, even if you’re dying of heat exhaustion

2. Always give guests the most magical time

3. No falling in love.

Nate’s only been working a day, and he’s already broken all three.

Fast-tracked into a Prince role, Nate’s at odds with Dash, the handsome not-so-charming prince who is supposed to be training him. Nate doesn’t know how he ended up on Dash’s bad side, but the broody prince sure is hot when he gets mad.

Dash has worked long and hard to play Prince Justice at Fairyland. Now, instead of focusing on his own performance, he is forced to train newbie Nate to be the perfect prince. Nate’s annoying ease with the guests coupled with his charm and good looks could dethrone Dash from his number one spot … so why does he secretly want to kiss him?  

Fairyland heats up as sparks fly between the two rival princes. Will they get their fairytale romance before they’re kicked out of Fairyland for good?

Find out in this standalone MM contemporary romance by Jaxon Knight, set in an amusement park where fairytales can come true.

Pre-order now to get it as soon as it’s released! (Paperback coming soon)

If you want to follow Jaxon Knight’s exploits, please check out the Goodreads profile I’ve built for the pen name.

Uncategorized

Writing by not writing

Sometimes not writing is part of writing.

I know that sounds counterintuitve, but it’s true. Recently I spent a hard core month writing as fast as I could. I was very in the zone, and I got a lot of progress done, which was awesome. However when the month was up, I was somewhat burned out.

I gave myself a couple of days off, and agonised over not getting more words written. I mooched around the house, watched Netflix and beat myself up about not being productive. looked at my stack of ‘how to write’ books and realised I could be doing something more constructive than agonising.

So I gave myself an official Learning Week.

I spent some time each day doing the following:

  • Reading books on how to write
  • Doing the Judy Blume Masterclass online
  • Reading articles I’d been putting off
  • Doing the writing assignments from Judy Blume in longhand
  • Researching how to be a successful indie author online
  • Reading novels for fun

It was really pleasant – I love learning, especially when it’s stuff I want to learn. I wouldn’t have had the same amount of fun if I were learning accountancy, for example.

Anyway, over the course of the week some cool things started to happen. I had new ideas of how to solve some of the plot problems in the end part of my novel work in progress. I had new ideas for possible new novels. I had ideas for blog posts and bits of dialogue.

I also learned about marketing myself and self-publishing, which was the aim, but even while taking time out to work on a patchwork quilt (not even learning!) my sub-conscious through up an idea of how to make a scene better.

Sometimes, when you’re working constantly on something you’re too close to it. You can’t necessarily see the problems or the solutions to known problems because you’re putting all your time into getting it done.

When I stepped back a little and allowed my brain to do other things, I solved those problems. For example, I woke up at two in the morning and realised I had to change Point of View for a climactic scene. Like, ridiculous timing but such a good results.

I definitely recommend giving yourself dedicated time to learn, and I’ve actually kept it up with a couple of hours a few times a week. I figure it’s time away from writing, but it’s upskilling and it’s giving my brain some time to process problems.

Recommended reading, based on what I’ve learned stuff from reading. (Didn’t get all of them read this week…)

Unleash the Beast by Steff Metal

Emotional Craft of Writing by Donald Maas

Write to Market by Chris Fox

On Writing by Stephen King